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Create optimized and proxy files in Final Cut Pro – Apple Support

Final Cut Pro can play back many media formats. For a complete list, see Media formats supported in Final Cut Pro. Final Cut Pro also provides options for transcoding your media (converting it to a different format or changing its settings) to make it suitable for optimized media: This option transcodes video to the Apple ProRes 422 format, which provides better performance during editing, faster render times, and better color quality for compositing. If the original camera format can be edited with good performance, this option is proxy media: This option creates video proxy files. Video is transcoded to either the Apple ProRes 422 Proxy or H. 264 format. You can create proxy media in a variety of frame sizes from 12. 5 percent to 100 percent of the original. Proxy files increase editing performance and take up considerably less storage space than optimized For better import and playback performance, Final Cut Pro automatically transcodes all MP3 audio files to MOV audio files. When transcoding files, Final Cut Pro always retains the original media for future can create optimized and proxy media during the import process or in the browser, after the media has been imported. You can also create a proxy file for a clip using the Info inspector. After transcoding is complete, the optimized and proxy files are stored in your Final Cut Pro library or in an external location you define. See Set storage locations in Final Cut optimized and proxy files during importDuring import, Final Cut Pro either creates an alias file that points to the media file in its original location, or creates a copy of the original media file. After the files are imported, transcoding, optimization, and analysis are performed in the Final Cut Pro, do one of the following:Import a file from a compatible file-based recording or storage device, or from your Mac: Connect your device to your Mac, turn on the device, and choose File > Import > Media (or press Command-I), then navigate to and select the media you want to a file from a tape-based camcorder: Connect your device to your Mac, turn on the device and set it to VTR or VCR mode, then choose File > Import > from an archive: Choose File > Import > Media, select a camera archive from the list on the left, click Open Archive, then navigate to the files you want to Intro to importing media in Final Cut the settings on the right side of the Media Import window to choose how you want to organize the imported media in your library:Add the imported media to an existing event: Select “Add to existing event, ” then click the pop-up menu and choose the a new event: Select “Create new event in, ” use the pop-up menu to choose the library in which you want to create the event, then type a name (for example, “Chris and Kim Wedding”) in the text learn more about events, see Intro to libraries in Final Cut Pro. If you want to import media into a new library, you must create the new library before importing your the Files section, choose a storage option:Copy the files to the current library: To duplicate the files and place the copies in the current library storage location, select “Copy to library. ” You can set storage locations for each of your libraries. See Set storage locations in Final Cut to the files at their current location: Select “Leave files in place. ”Note: If you select this option, Final Cut Pro creates symbolic links (also called symlinks), which are special files that point to the media files. If you later copy or move clips between events, only the symbolic links are copied or moved (not the source media files). To replace the symbolic links with the actual source media files, select the events and choose File > Consolidate Event any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. For details about the settings, see the “Transcode” section in Import preferences in Final Cut Pro. Note: If the original camera format can be edited with good performance, the “Create optimized media” option is dimmed. If optimized and proxy media are already available, the “Create optimized media” and “Create proxy media” options are files are transcoded in the background, after the import process is Import Selected or Import All (the Import button changes its name based on your clip selection) import may take a while, depending on the options you selected. You can see the status of all the background processes currently running in the Background Tasks optimized and proxy files after importDo one of the following:Control-click one or more clips in the Final Cut Pro browser or events in the Libraries sidebar, then choose Transcode Media from the shortcut one or more clips or projects in the browser, then choose File > Transcode the window that appears, do any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. If optimized and proxy media are already available, the “Create optimized media” and “Create proxy media” options are transcoding process may take a while, depending on the options you selected. You can see the status of all the background processes currently running in the Background Tasks MP3 audio files from projects created with versions of Final Cut Pro earlier than 10. 0. 4 can be manually transcoded to WAV audio files using this optimized and proxy files when importing by draggingMedia you drag from the Finder into an event or the timeline is automatically organized, transcoded, and analyzed based on the import settings you specify in Final Cut Pro specify import settings, choose Final Cut Pro > Preferences, click Import, and select the import settings you want to apply to your Import preferences in Final Cut import one or more files, select a file (or Command-click multiple files) in the Finder, then drag the selection to the timeline or to an event in the Libraries nerate a proxy file from the Info inspectorYou can use the Info inspector to create a proxy file for a clip or to see whether a proxy file exists for a clip. If the file you’re viewing in the Info inspector doesn’t have a proxy file, you see a red a clip in the Final Cut Pro the inspector isn’t already shown, do one of the following:Choose Window > Show in Workspace > Inspector (or press Command-4) the Inspector button on the right side of the the Info button at the top of the down to the bottom section of the Info inspector, then click Transcode the window that appears, do any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. 4 can be manually transcoded to WAV audio files using this proxy file is created, and a green circle appears next to the proxy item in the Available Media Representations section, indicating that the proxy file for the clip is optimized or proxy filesYou can delete optimized or proxy media files at any time, no matter where they’re stored. Original media files are not deleted, so you can always regenerate optimized and proxy files from the original Final Cut Pro, do one of the following:Delete optimized or proxy files for one or more clips: In the browser or the timeline, select one or more optimized or proxy files for one or more projects: In the browser, select one or more optimized or proxy files for one or more events: In the Libraries sidebar, select one or more events in the same optimized or proxy files for a library: Select a library in the Libraries File > Delete Generated [item] the window that appears, select any of the following:Delete Optimized MediaDelete Proxy MediaClick selected files are deleted from your storage Unlike other media management commands in Final Cut Pro, the Delete Generated Library Files and Delete Generated Clip Files commands affect external media as well as managed media (in the library) control whether Final Cut Pro displays optimized, proxy, or original media in the viewer, and whether video playback is optimized for quality or performance, choose the corresponding options from the View pop-up menu in the upper-right corner of the viewer. See Control playback quality in Final Cut portant: If you use proxy media for playback, make sure to switch back to optimized/original media before sharing your project. This ensures the highest quality in the exported file. See Intro to sharing projects in Final Cut Pro.
Relink clips to media files in Final Cut Pro - Apple Support

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Relink clips to media files in Final Cut Pro – Apple Support

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In Final Cut Pro, clips represent your media, but they are not the media files themselves (see Media files and clips in Final Cut Pro). Final Cut Pro keeps track of the links between clips and media files ever, there are times when you need to manually relink clips to media files: When files are altered or re-created outside of your copy of Final Cut Pro: For example, if you send files out for color correction, you may need to relink the clips in your event to the color-corrected versions of the files when you receive media files are missing: If you move or rename externally linked files in the Finder, or if you move an event or a project to a different location, you need to relink the event or project clips (which appear as red frames with yellow alert triangles) to the either case, manually relinking connects the clips in Final Cut Pro to the correct files on your Mac or storage can relink either original source media files or proxy files. The relinked files must include all the media in the referenced clips and must be the same media type (for example, video or audio), have the same frame rate, and have similar audio You can’t undo the Relink Files command.
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Create optimized and proxy files in Final Cut Pro - Apple Support

Create optimized and proxy files in Final Cut Pro – Apple Support

Final Cut Pro can play back many media formats. For a complete list, see Media formats supported in Final Cut Pro. Final Cut Pro also provides options for transcoding your media (converting it to a different format or changing its settings) to make it suitable for optimized media: This option transcodes video to the Apple ProRes 422 format, which provides better performance during editing, faster render times, and better color quality for compositing. If the original camera format can be edited with good performance, this option is proxy media: This option creates video proxy files. Video is transcoded to either the Apple ProRes 422 Proxy or H. 264 format. You can create proxy media in a variety of frame sizes from 12. 5 percent to 100 percent of the original. Proxy files increase editing performance and take up considerably less storage space than optimized For better import and playback performance, Final Cut Pro automatically transcodes all MP3 audio files to MOV audio files. When transcoding files, Final Cut Pro always retains the original media for future can create optimized and proxy media during the import process or in the browser, after the media has been imported. You can also create a proxy file for a clip using the Info inspector. After transcoding is complete, the optimized and proxy files are stored in your Final Cut Pro library or in an external location you define. See Set storage locations in Final Cut optimized and proxy files during importDuring import, Final Cut Pro either creates an alias file that points to the media file in its original location, or creates a copy of the original media file. After the files are imported, transcoding, optimization, and analysis are performed in the Final Cut Pro, do one of the following:Import a file from a compatible file-based recording or storage device, or from your Mac: Connect your device to your Mac, turn on the device, and choose File > Import > Media (or press Command-I), then navigate to and select the media you want to a file from a tape-based camcorder: Connect your device to your Mac, turn on the device and set it to VTR or VCR mode, then choose File > Import > from an archive: Choose File > Import > Media, select a camera archive from the list on the left, click Open Archive, then navigate to the files you want to Intro to importing media in Final Cut the settings on the right side of the Media Import window to choose how you want to organize the imported media in your library:Add the imported media to an existing event: Select “Add to existing event, ” then click the pop-up menu and choose the a new event: Select “Create new event in, ” use the pop-up menu to choose the library in which you want to create the event, then type a name (for example, “Chris and Kim Wedding”) in the text learn more about events, see Intro to libraries in Final Cut Pro. If you want to import media into a new library, you must create the new library before importing your the Files section, choose a storage option:Copy the files to the current library: To duplicate the files and place the copies in the current library storage location, select “Copy to library. ” You can set storage locations for each of your libraries. See Set storage locations in Final Cut to the files at their current location: Select “Leave files in place. ”Note: If you select this option, Final Cut Pro creates symbolic links (also called symlinks), which are special files that point to the media files. If you later copy or move clips between events, only the symbolic links are copied or moved (not the source media files). To replace the symbolic links with the actual source media files, select the events and choose File > Consolidate Event any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. For details about the settings, see the “Transcode” section in Import preferences in Final Cut Pro. Note: If the original camera format can be edited with good performance, the “Create optimized media” option is dimmed. If optimized and proxy media are already available, the “Create optimized media” and “Create proxy media” options are files are transcoded in the background, after the import process is Import Selected or Import All (the Import button changes its name based on your clip selection) import may take a while, depending on the options you selected. You can see the status of all the background processes currently running in the Background Tasks optimized and proxy files after importDo one of the following:Control-click one or more clips in the Final Cut Pro browser or events in the Libraries sidebar, then choose Transcode Media from the shortcut one or more clips or projects in the browser, then choose File > Transcode the window that appears, do any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. If optimized and proxy media are already available, the “Create optimized media” and “Create proxy media” options are transcoding process may take a while, depending on the options you selected. You can see the status of all the background processes currently running in the Background Tasks MP3 audio files from projects created with versions of Final Cut Pro earlier than 10. 0. 4 can be manually transcoded to WAV audio files using this optimized and proxy files when importing by draggingMedia you drag from the Finder into an event or the timeline is automatically organized, transcoded, and analyzed based on the import settings you specify in Final Cut Pro specify import settings, choose Final Cut Pro > Preferences, click Import, and select the import settings you want to apply to your Import preferences in Final Cut import one or more files, select a file (or Command-click multiple files) in the Finder, then drag the selection to the timeline or to an event in the Libraries nerate a proxy file from the Info inspectorYou can use the Info inspector to create a proxy file for a clip or to see whether a proxy file exists for a clip. If the file you’re viewing in the Info inspector doesn’t have a proxy file, you see a red a clip in the Final Cut Pro the inspector isn’t already shown, do one of the following:Choose Window > Show in Workspace > Inspector (or press Command-4) the Inspector button on the right side of the the Info button at the top of the down to the bottom section of the Info inspector, then click Transcode the window that appears, do any of the following:Create optimized files: Select the “Create optimized media” proxy files: Select the “Create proxy media” checkbox, then select the proxy format and frame size. 4 can be manually transcoded to WAV audio files using this proxy file is created, and a green circle appears next to the proxy item in the Available Media Representations section, indicating that the proxy file for the clip is optimized or proxy filesYou can delete optimized or proxy media files at any time, no matter where they’re stored. Original media files are not deleted, so you can always regenerate optimized and proxy files from the original Final Cut Pro, do one of the following:Delete optimized or proxy files for one or more clips: In the browser or the timeline, select one or more optimized or proxy files for one or more projects: In the browser, select one or more optimized or proxy files for one or more events: In the Libraries sidebar, select one or more events in the same optimized or proxy files for a library: Select a library in the Libraries File > Delete Generated [item] the window that appears, select any of the following:Delete Optimized MediaDelete Proxy MediaClick selected files are deleted from your storage Unlike other media management commands in Final Cut Pro, the Delete Generated Library Files and Delete Generated Clip Files commands affect external media as well as managed media (in the library) control whether Final Cut Pro displays optimized, proxy, or original media in the viewer, and whether video playback is optimized for quality or performance, choose the corresponding options from the View pop-up menu in the upper-right corner of the viewer. See Control playback quality in Final Cut portant: If you use proxy media for playback, make sure to switch back to optimized/original media before sharing your project. This ensures the highest quality in the exported file. See Intro to sharing projects in Final Cut Pro.

Frequently Asked Questions about final cut pro 7 proxy

What is a proxy in Final Cut Pro?

Final Cut Pro can play back many media formats. … 264 format. You can create proxy media in a variety of frame sizes from 12.5 percent to 100 percent of the original. Proxy files increase editing performance and take up considerably less storage space than optimized files.

Why does Final Cut Pro say proxy?

Note: Red “Missing Proxy File” alert icons in the browser, viewer, or timeline may indicate an unrelated issue. You may need to switch the playback media mode or generate proxy media. See Control playback quality in Final Cut Pro or Create optimized and proxy files in Final Cut Pro.

How do I link a proxy in Final Cut Pro?

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